A new kind of publishing house.

日本語版 — the Japanese edition of Aldermere — The Yard, prepared in the register of contemporary J-horror prose rather than literal translation. Where the American edition reaches for the long shadow and the inherited silence, the Japanese edition reaches for 怪談 — for stillness, for the half-glimpsed, for the place that remembers. Same novel, different floor it walks across.

A small town at the edge of an older forest. A house at the end of a road that no one quite remembers building. And in the yard behind it, something the family has agreed, without ever saying so, never to discuss. The debut Silan Moor novel — domestic horror in the long American tradition.

A horse found alone in the wadi. Three days without water. A damaged leg. The desert teaches an endurance that is not the endurance of strength but of stillness.

Against the architecture of a city in slow ruin. A woman returning to what she once chose to leave. The question of what remains when everything else has shifted.

A novel of contemporary American strategy. The deal made across a narrow water, and the war it was meant to end. A reckoning with what nations are willing to trade for what they call survival.